NOVEMBER 6th
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November 13, 1956 — The duo Buchanan and Goodman go to court in a suit for copyright infringement over their record "The Flying Saucer," which incorporates bits of hit records. The first use of sampling in the rock era, the song reaches #3 on Billboard's Hot 100.
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1967 - The Beatles
Working at Abbey Road studio in London, The Beatles mixed four songs, ‘Hello Goodbye’, ‘Your Mother Should Know’, ‘Magical Mystery Tour’ and ‘I Am the Walrus’. Due to the radio feed used in ‘I Am The Walrus’ being recorded in mono, the song changes from stereo to mono at the line "Sitting in an English garden".
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November 8, 1953 — Buddy Holly (left) and his partner Jack Neal (right) debut on The Buddy and Jack Show, a Sunday afternoon program of country music broadcast on KDAV-AM in Lubbock, Texas. Friends since their teens, the duo breaks up when Neal marries in 1954 and sets upon a career as an electrician, leading Holly to pair with Bob Montgomery as Buddy and Bob before getting his first recording contract with Decca Records in Nashville.
November 9, 1962 — White supremacists in Birmingham, Alabama, fire gunshots into the side of a tour bus transporting Motown's first Motortown Revue, panicking the performers on board. The show that night at the National Guard Armory — one of more than 50 one-nighters along the U.S. east coast — marks the first time that the city permits an integrated audience.
November 11, 1939 — The Ink Spots reach #1 on the pop chart with "Address Unknown." Their success occurs just a few months after they peaked at #2 with "If I Didn't Care," their best-known record. They would be Inducted into the Rock and Roll Hall of Fame in 1989 in the category of Early Influence, their citation reading, "With a high-flying tenor floating above their tight harmonies, the Ink Spots were the predecessors of doo-wop." In fact, group member Charlie Fuqua was the uncle of the Moonglows' co-founder Harvey Fuqua.
1958 — Hank Ballard and The Midnighters record the original version of "The Twist," which would become one of the most important records in rock 'n' roll history when covered virtually note for note by Ballard soundalike Chubby Checker in 1960. Ballard bases the song on the 1953 Drifters record "Whatcha Gonna Do."
November 12, 1925 — Louis Armstrong and His Hot Five make their first recordings. The Chicago sessions are issued on the Okeh label. It is Satchmo's first eponymous group after playing as a sideman with King Oliver's Creole Jazz Band and Fletcher Henderson's orchestra.
1931 — EMI (Electric & Musical Industries) opens the world's largest recording studio at its Abbey Road complex, a 19th century London townhouse and the future recording home of the Beatles. It uses the first stereo recording system, developed and patented by English audio engineer Alan Blumlein.
November 13, 1956 — The duo Buchanan and Goodman go to court in a suit for copyright infringement over their record "The Flying Saucer," which incorporates bits of hit records. The first use of sampling in the rock era, the song reaches #3 on Billboard's Hot 100.
Sources:
Eight Days a Week (Ron Smith)
On This Day in Black Music History (Jay Warner)
Chronology of American Popular Music, 1900-2000 (Frank Hoffman)
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Sources:
Eight Days a Week (Ron Smith)
On This Day in Black Music History (Jay Warner)
Chronology of American Popular Music, 1900-2000 (Frank Hoffman)
calendar.songfacts.com
onthisday.com/music
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French Fries (Ray Campi) You Can Almost Taste the Grease
Ray Campi’s “French Fries” is a playful 1960 rockabilly B-side that captures the teenage food craze of the era, pairing greasy spoon culture with a catchy beat and youthful charm.
The song “French Fries” was released in 1960 as the B-side to “Hear What I Wanna Hear” on Colpix Records (CP 166). Written by a songwriter credited as Ellis and arranged by Bunny Botkin, “French Fries” is a lighthearted, novelty-style tune that reflects the post-war American obsession with fast food, diners, and teen culture. While it didn’t chart nationally, it became a cult favorite among rockabilly collectors and fans of early teen rock.
Ray Campi, known as “The Rockabilly Rebel,” was a schoolteacher by day and a rockabilly revivalist by night. Though he began recording in the 1950s, his career saw a resurgence in the 1970s when he was rediscovered by Ronnie Weiser of Rollin’ Rock Records. “French Fries” stands out as one of his early recordings that showcased his knack for blending humor, Americana, and infectious rhythm.
The song’s lyrics playfully celebrate the simple joy of eating French fries, a staple of 1950s diner culture. It’s emblematic of the era’s fascination with youth rebellion, drive-in hangouts, and greasy indulgence—making it a charming time capsule of mid-century American pop culture.
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