Gold Star Oldies USA,  Pop and Country News (On This Day)

Now you can hear the Dave Edwards Show on Gold Star Oldies USA " That Seventies Sound" Tuesday Morning May 12th  9:00 AM  and every Tuesday. Repeat Tuesday Evening 8:00 PM

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May 20 th  2026

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The history of  Sam Phillips before Memphis Recording Services

What Sam Phillips Did Before Memphis Recording Service

⭐ Early Radio Career (1940s)

Before he ever cut a record or opened a studio, Sam Phillips worked in radio broadcasting and engineering, which shaped his entire approach to sound and recording.

Key points from his pre‑studio years:

  • He originally hoped to study law, but financial hardship during the Great Depression forced him into the workforce early.

  • He entered radio in Alabama, taking his first disc‑jockey job in Muscle Shoals.

  • By 1945, he had moved to Memphis and was working at WREC, one of the city’s major stations.

  • At WREC, he gained experience as both an announcer and radio engineer, developing the technical skills and ear for sound that later defined Sun Records.

This period is crucial: Phillips learned microphone technique, signal flow, acoustics, and how to

work with live performers—skills he later used to capture the raw, emotional sound of early blues and rock ’n’ roll.

🎙️ Transition Toward Recording

While still at WREC, Phillips began to see the limitations of mainstream radio, which rarely showcased the Black blues and R&B artists he admired. This frustration pushed him toward creating a space where anyone with talent could be recorded.

By 1950, he left WREC and opened the Memphis Recording Service at 706 Union Avenue—initially recording artists for labels like Modern and Chess before founding Sun Records in 1952.

Before purchasing (and founding) the Memphis Recording Service, Sam Phillips was:

  • A radio announcer

  • A radio engineer

  • A DJ in Muscle Shoals

  • A staff member at WREC Memphis

  • A young man deeply influenced by Southern blues and gospel

Those radio years were the foundation for everything he later built—Sun Records, Elvis, Johnny Cash, Jerry Lee Lewis, and the birth of rock ’n’ roll.

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Sources:
Eight Days a Week (Ron Smith)
On This Day in Black Music History (Jay Warner)

Chronology of American Popular Music, 1900-2000 (Frank Hoffman)

Birthdays Singers and Song Writers 

1960 - Sue Cowsill

Sue Cowsill, from American singing group The Cowsills, who had the 1967 US No.2 single 'The Rain, The Park & Other Things', and the 1969 US No.2 single the theme from 'Hair'. TV's Partridge Family was based on The Cowsills family.

1946 - Cher

Cherilyn Sarkasian, (Cher), American singer and actress, one-half of the folk rock husband-wife duo Sonny & Cher who had the 1965 UK & US No.1 single 'I Got You Babe'. She became a television personality in the 1970s with her show The Sonny & Cher Comedy Hour, watched by over 30 million viewers weekly during its three-year run. Solo hits include the 1991 UK No.1 single 'The Shoop Shoop Song', 1998 UK No.1 & 1999 US No.1 single 'Believe', plus over 15 other UK Top 40 singles.

1944 - Joe Cocker

Joe Cocker, English singer and musician who had the 1968 UK No.1 single with his cover of The Beatles With a Little Help from My Friends, plus he had 8 other UK Top 40 singles and appeared at the 1969 Woodstock Festival. He scored the 1982 US No.1 single with Jennifer Warnes 'Up Where We Belong'. In 2007 he was awarded a bronze Sheffield Legends plaque in his hometown and in 2008 he received an OBE at Buckingham Palace for services to music. Cocker died of lung cancer on 22 December 2014 in Crawford, Colorado.

Early Beatles News

1978 - Paul McCartney

Paul McCartney and Wings went to No.1 on the US singles chart with 'With A Little Luck', his sixth solo US No.1. The track was taken from the Wings 1978 album, London Town.

1970 - The Beatles

Let It Be, the final feature film involving The Beatles, premiered simultaneously in London and Liverpool a week after the film's US release. Directed by Michael Lindsay-Hogg, the film documents the group's rehearsals and recording songs in January 1969 for what was to become their twelfth and final studio album, Let It Be. The film ends with an unannounced rooftop concert by the group, their last public performance together.

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